What's
new in NYC Photo?
By Carl Gunhouse
Tuesday,
April 12, 2005
Gigantic
ArtSpace
59 Franklin St. Btw. Broadway and Lafayette St.
Stephan Apicella-Hitchcock, Palimpsests
Apicella-Hitchcock’s
art tends to be eccentric and in need of much explanation to
be appreciated. Palimpsests features six different videos, one
3-D video, video stills, photographs, photographic montage,
and one sculpture. And without reading the text, much of the
work can seem obtuse and terribly non-specific.
The
Plot Is Very Bare is a rather dull photographic stroll through
a modern Little League dugout. Yet upon reading the accompanying
text, it turns out that this is no ordinary dugout, but in fact
the location of Stacy’s deflowering at the hands of Ron
Johnson in Fastimes at Ridgemont High. Being of a certain age
(which I am), I find the details of a John Hughes’ film
utterly fascinating. Apicella-Hitchcock at his best, which is
with The Swimmer, a series of video stills of the suburban wasteland
north of Manhattan accompanied by Martin Sheen’s monologue
from Apocalypse Now.
The
images are an impressive display of visual intelligence and
command of American popular culture. Oh, and there is a series
of photographs documenting his pilgrimage via skateboard to
deliver a copy of Black flag’s classic album, My War,
to its birthplace in Redondo Beach, California.
Through
May 1st.
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